HotWax — Hot Shock


HotWax’s debut record Hot Shock is danceable, grungy, windows-down rock and roll that captures the energy of a live gig.

I try to keep things small on this site, and I have a couple of arbitrary and fungible guidelines for it: looking at an artist’s follower count, Spotify listeners, and coverage by other outlets when deciding whether to post about them. But inside my own filter bubble, sometimes it seems that a band is everywhere, and when I decide to go looking, I find they’re shockingly un-covered. HotWax is the latest version of that.

Many places that I find new music covered Hot Shock when it came out last month. As much as I had anticipated the record, I assumed the band had broken through. And while “Wanna Be A Doll” has been on repeat since I first heard it, I figured I’d be another voice lost in the crowd if I wrote about it. But! Good bands deserve more attention. And HotWax is good.

The band is made up of singer and guitarist Tallulah Sim-Savage, bassist Lola Sam and drummer Alfie Sayer – their sound fits into the 90s/00s revival that’s been going strong for a few of years now: part Hole, part Elastica, part Queens of the Stone Age, put through the same modern filter as the last Mysterines 1 record. It’s danceable, grungy, no frills rock and roll.

Hot Shock is the band’s debut record, though you’d be forgiven for thinking they’ve put out a couple already: the two EPs released in 2023 (Invite me, kindly, and A Thousand Times), and HotWax’s relentless touring created a ton of buzz prior to the record’s release. Like any good rock band, they’re great live first:

According to their Bandcamp page, Hot Shock was recorded live, rather than pieced together from multiple tracks. That comes through on the record: there’s an energy and self-assuredness to these songs that feels spontaneous, such as “Chip My Teeth for You”:

Hot Shock is the kind of debut that makes me wish I’d been able to see HotWax in their tiny-venue days. It’s got the raw, grungy spirit of ‘90s rock, but with a modern edge that feels alive in 2025. With festival season starting up, I’m sure they’ll be busier than ever, but here’s hoping they book a few shows on this side of the pond as well.

Further Reading

Louder than War review

Line of Best Fit review

When the Horn Blows review

NME review

Guardian profile

  1. (RIP?)
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