Even if you’re a Heartworms fan, Glutton for Punishment packs a ton of range and surprises. It’s literary, theatrical, and mostly flawless.
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t l k makes ambient/electronic/jazz/hyperpop/I don’t know. It’s hard to classify and impossible to ignore. Listen for yourself.
Featurette are at their defiant best on Panic Pills – a defiant and cathartic electro pop record that’s an early favourite of 2025.
Cardboard’s garage punk rock is reminiscent of some of the genre’s classic acts – from The Mooney Suzuki to Motorhead. It’s brilliant stuff.
Strasbourg’s PALES latest EP Crush lives up to the furious, raw promise of the singles: an unmistakeable sound with confidence and swagger to spare.
Stem Champ makes indie rock about staying put, embracing the place you grew up while the world moves on around you. Prairie Skies Forever makes me want to visit home.
Voyeur’s Something Becomes You EP is adventurous and sinister NYC rock that sounds both nostalgic and ultra-current.
MIDNIGHT RAIN is meditative, enigmatic and moody, and very difficult to classify. It’s also irresistible.
Truman Sinclair’s “Joel Roberts” is already a classic to me. His boldly-titled upcoming LP American Recordings might be a highlight of the year.
Kloyd’s Høurglass EP is atmospheric and moody electronic music – four tracks with enough range to spawn three remix releases. It’s excellent stuff.
Nadia Garofalo’s sick-and-tired vocal paired with Ben Shillabeer’s post-punk instrumentals make Anatomy dark, gloomy and blisteringly good.
tibia’s 2000s-era dance-rock is inspired by epic nights. The duo’s four singles would soundtrack a road trip perfectly.
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